(...) be glad for her, all you who love her; rejoice with her in joy, all you who mourn over her; that you may suck and be satisfied with her consoling breasts; that you may drink deeply with delight from the abundance of her glory.
Isaiah 66:10-11
Erasures
to Steven
From the little that's left, I recognize a face and a cross.
A ribboned bonnet and the beginning (or end)
of a dress.
By her feet, I can only guess: an eggplant or a squash?
Are those two pumpkins?
A pear and an apple? A maybe galvanized wash tub
laying on nothing, dangling
over the edge?
I imagine the rest: a kitchen. The cobblestoned floor.
The countryside through the kitchen door. A rooster crowing
through the morning two centuries old.
Or is it evening and the sun, as it downs, erases her,
bottom-up, strip after strip?
Is that why she looks so fixedly, so
uncompromisingly,
beyond the erasures of France?
The next to be erased, after her hands, will be the cross?
Last, her steadfast face?
______
from The Loving Question, December 2024